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FOR YOUR GRAMMY® CONSIDERATION

BEST REGGAE ALBUM 

NaOMI COWAN
WELCOME TO PARADISE

2026 JUNO AWARD WINNER for

'REGGAE RECORDING OF THE YEAR'

3. Naomi Cowan WTP ALBUM COVER.jpg

DEBUT ALBUM

12 TRACKS

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PRODUCED BY TODDLA T

FEAT. JOHNNY OSBOURNE & RUNKUS

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LISTEN TO THE ALBUM

TRACKLIST

A twelve-track journey through the sonic landscape of 'Welcome to Paradise'

1

Beautiful Ska

Naomi Cowan

2

Woman Respect

Naomi Cowan

3

The Throne (Interlude)

Naomi Cowan

4

Version

Naomi Cowan & Johnny Osbourne

5

True Lies

Naomi Cowan

6

Her Attitude (Interlude)

Naomi Cowan

7

Cherry On Top

Naomi Cowan

8

Up To Di Time

Naomi Cowan

9

Lonely Love

Naomi Cowan & Runkus

10

Legacy (Interlude)

Naomi Cowan

11

Moments

Naomi Cowan

12

Imagine

Naomi Cowan

Total Runtime: 31 minutes, 32 seconds

CRITICAL ACCLAIM

Her vocal delivery is marked by crisp diction, expressive phrasing, and rich tonality, all infused with heartfelt sincerity.

Reggae Vibes

The closing track, 'Imagine,' is one of the finest ballads you'll encounter in any reggae album from the past few years.

Hunnypot Unlimited

Her voice remains one of the most soothing in modern reggae - like watching an artist grow into her own.

World A Reggae

A deeply personal project with universal resonance: a celebration of healing, self-love and creative freedom.

Reggae Chalice

THE ARTISANAL VISION

A curated visual narrative of the artist and the journey behind the sound.

THE STORY

Welcome to Paradise is Naomi Cowan's debut album; a twelve-track collaboration with British producer Toddla T, released October 10, 2025 on 7th C Records / Easy Star Records. The album went on to win the 2026 JUNO Award for Reggae Recording of the Year.

It moves through ska, roots, R&B and modern island pop without settling into one lane: it opens on the horn-driven 'Beautiful Ska,' makes room for guests Johnny Osbourne ('Version') and Runkus ('Lonely Love'), threads short interludes between the full songs, and closes on the ballad 'Imagine.' Toddla T's production is clean and playful, giving Cowan's writing room to breathe while keeping the low end firmly in reggae.

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